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Rank the Best Feluda Stories

12th Jan 2018
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There is perhaps no greater Bengali detective series than the famed writer and Oscar-winning director Satyajit Ray's Feluda (ফেলুদা) series. From his humble abode in 21 Rajani Sen Road, Ballygonj, Kolkata, Feluda or Prodosh Chandra Mitra, (প্রদোষ চন্দ্র মিত্র) becomes a celebrated private investigator over a series of 35+ novels and short stories, traveling all over India and beyond with his cousin and ever present "satellite" Topshe (Tapesh Ranjan Mitra) and his lighthearted but dependable friend Jatayu (Lalmohan Ganguly). Replete with drama, suspense, intriguing characters and Ray's unique brand of quaint humor, Feluda stories always hold a class of their own. Starting from Feludar Goendagiri in 1965, there have been 35 complete stories which include full-length novels and short stories and 2 unfinished stories, many of which have been turned into feature films for both the big screen and television. These have included such luminaries as Soumitra Chatterjee and Sabyasachi Chakrabarty and have been directed both by Satyajit Ray's son Sandip Ray and Satyajit Ray himself. Even after half a century of the publication of the first Feluda, the series still earns new fans every day. We all have our favorite stories from the series that we fondly remember and recount to each other. Which ones do you think are the best and why? Rank this list by dragging and dropping the items and hit submit to update the average. And let me and others know why you like your favorite ones in the comments below.

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Rank the Best Feluda Stories

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#1.

Joi Baba Felunath

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Joi Baba Felunath (জয়বাবা ফেলুনাথ - 1975, English title "The Mystery of the Elephant God") is the eleventh story in Satyajit Ray's famous Feluda series and was first published in Sharadiya Desh, 1975. Feluda, his cousin Topshe and the thriller writer Jatayu visit Benaras during the Durga Pujas. There they meet a Bengali family called the Ghosals who owned a small but valuable golden Ganesh statue, about an inch in height, that was stolen. Upon hearing that Feluda is a private investigator, the family head entrusts him with the task of finding the thief. All of this happens at the same time as the arrival of a saint by the name of 'Machhli Baba' in Benaras, who quivers the excitement of the local people. Among the suspects of the theft is Maganlal Meghraj, a wealthy Marwari businessman, who had his eyes on the Ganesh for a very long time. He comes to know about the involvement of Feluda in this case. He invites Feluda, Topshe and Jatayu to his house and offers Feluda Rs.2000 so that he leaves this case. Feluda refuses, which angers Maganlal, and he sets up a knife throwing show, using Jatayu as the bait. After the thrilling adventures in Maganlal's house, Feluda takes a vow - either he will avenge Jatayu's harassment, or quit being a sleuth. Although warned by Maganlal, Feluda did not lose interest in the case, and deduces that Machhli Baba is actually a fraud working for Maganlal. A member of the Ghosal family, Bikash, was also bribed by Maganlal to steal the Ganesh and hand it over to him. Feluda gets hold of Bikash and makes him confess his involvement in the theft. But Bikash states that when he went to steal the Ganesh, it was not there. Several questions arise in Feluda's mind. Where is the Ganesh, then? Why the innocent idol-maker of the Ghosals Shashi Babu was murdered brutally? What plan did the Ghosal family head hatch upon with his grandson to save the Ganesh? The story has two sub plots. On the one hand, it is the story of the acquisitive instinct of a greedy Marwari businessman, who would spare no expenses or ways to get what he desires, even if it is at the cost of murdering some innocents and bribing the willing. On the other, it is also the tale of cautionary foresight exercised by the family head. The sights and sounds and the brilliant cinematography and photographic imagery takes the nostalgic viewer to a lost world of the innocence, the beauty and the freshness of a north Indian town, that is at once, far from the madding corruptibility of big cities. Subaltern texts like the caste and the communal divide do make their presence felt, but they exist as subplots, that further enrich the viewer's understanding. This is also Feluda's first meeting with his arch-nemesis Maganlal Meghraj. Joy Baba Felunath was adapted into a film under the direction of Satyajit Ray himself, featuring Soumitra Chatterjee, Santosh Dutta, Siddartha Chatterjee, Utpal Dutt among others.
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